Label : Les
Acteurs De L'Ombre
Tracklist:
1 - Déchéance
2 - Ecorché
3 - Nihil
4 - Possédé
5 - Cendres
6 - Vomi
7 - Catharsis
8 - Agonie
9 - Horde
10 - Rédemption
11 - In the Name of Tragedy (Motörhead cover)
Violence, Blasphème et Pourriture is the second album by the French band Miasmes, officially scheduled for
release on September 18, 2026, via Les Acteurs de l'ombre Productions.
The first
global preview, dynamic sound from which you can detect several great styles …….Black
metal tinged with punk and crust/grind/punk (maybe Black 'n' Roll or
Black/Crust). Because You can feel a dark, gloomy atmosphere and ultra-fast
tempos side black metal, followed by a mix of dark heaviness distortion of
crust punk with the lightning-fast speed and brutality of grindcore you can really
get a strong feeling of the rebellious picture and anarchic chaos of this
style, which leads to an anti-establishment stance all this in an old-school aura
..you get the putrid, decadent musical cocktail that Miasmes serves up.
In any case
this album is aimed to fans of Doom
,Motörhead ,Extreme Noise Terror ,Venom,
Darkthrone because the musical
Direction is filthy and primitive Black Metal
added with great
dose of punk and crust. It captures the raw, organic, and savage urgency of
early 80s metal.
About sound
it’s deliberately gritty, prioritizing instinct and raw, grimy imperfection
over overly polished modern productions and recorded entirely independently (the
spirit of the underground that’s I like so much) to get the energy of a live
performance, the album features abrasive mastering done at BST Studio ,
produced and distributed by the label
Les Acteurs de l'Ombre Productions
One of the album's strong points is the perfectly mastered blend of genres. The band marries the aggression of 80s Black Metal with the immediate groove of Punk/Crust and Rock 'n' Roll with themes about human degradation, nihilism, apostasy, and inner violence, also The cover artwork perfectly fit the album's titles dark, blasphemous, and deeply rooted in underground imagery. It incorporates the classic tropes of anti-religious provocation and human degradation………..
From the
dissonant, thrashy riffs in "Ecorché"
and the grinding in the style of Motörhead
bass in "Possédé" (the
album actually concludes with a cover of Motörhead's
"In the Name of Tragedy") to the raw punk aggression of "Cendres," without forgetting
drumming variation because in Violence, Blasphème
et Pourriture drumming forms the
true backbone of the album and it is not limited to black metal blast beats
There is an alternation of tempos drummer transitions with disconcerting
fluidity from a heavy, galloping D-beat rhythm (typical of crust punk and Motörhead) to torrents of frenetic,
suffocating blast beats. Ans tempos changes at right time drum sound avoids the
trap of ubiquitous triggers (electronic triggers) because the old-school flavor
is there in any case this French
band takes no prisoners, tearing through the 11 tracks in a solid half-hour, despite
all this intensity and aggression, the trio never descends into primitivism
instead, they place great importance on the quality and variety of their
songwriting, positioning themselves musically at the crossroads of Motörhead, Darkthrone, Bathory, Doom,
and maybe Aura Noir. Fittingly, the
album's production is raw and organic.
I think the
only negative touch but I’m not sure all the lyrics are written and screamed in
French…but it’s not a big problem,songs
to pay attention Déchéance, Cendres, Vomi,
Horde this songs or this album is designed for live performance, this
record is perfect fuel for the physical, festive rituals of underground metal
concerts and fest perfect for Headbanging pogo and moshpit as if you were on
the battlefield, Violence, Blasphème et
Pourriture is the album which you
listen with, beer in hand, in a concert hall oozing sweat and screaming ……….. and to
conclude with glory the cover Motörhead
"In the Name of Tragedy" is
the perfect end-of-the-night anthem
Now share
and add this album to your collection … Miasmes proves its great
work.
